click here for gadget for god  
about the ship sign up for our newsletter
community the mystery worshipper gadgets for god caption competition foolishness features ship stuff
mystery worshipper home reports from the uk and ireland reports from the usa reports from australia and new zealand reports from canada reports from elsewhere famous and infamous reports comments and corrections
the mystery worshipper
Comment on this report, or find other reports.
Our Mystery Worshippers are volunteers who warm church pews for us around the world. If you'd like to become a Mystery Worshipper, start here.
Find out how to reproduce this report in your church magazine or website.
3139: Liturgical Performance at St Paul's Cathedral, London
St Paul's Cathedral, London (Exterior)
Mystery Worshipper: Cool Dude.
The church: St Paul's Cathedral, London.
Denomination: Church of England, Diocese of London.
The building: What can be said about St Paul's Cathedral – the mother church of London and one of the best known buildings in the world, the largest and most splendid achievement of Sir Christopher Wren – that hasn't already been said?
The church: The worshipping community is – like the visitors who are there on weekdays – notably international and youthful. Perhaps the congregation for this event was older and more English (inasmuch as one can guess from appearances) than the regular Sunday congregation.
The neighbourhood: Mostly offices, mostly empty on Sunday, and mostly ugly.
The cast: The Revd James Milne, sacrist, read the scripture passages and kept the incense burning. But Peter Holder, sub-organist, played the main role from the organ console.
The date & time: Sunday, 2 April 2017, 6.00pm.

What was the name of the service?
Organ Meditation – Tournemire's Seven Last Words of Christ (described by the Cathedral as a "liturgical performance"). Featured was the work entitled Sept Chorals - Poèmes d'orgue pour les sept paroles du Xrist (Seven Chorale-Poems for Organ for the Seven Last Words of Christ) by the French late-Romantic composer Charles Arnould Tournemire.

How full was the building?
About 150 seated under the dome, with quite a few tourists listening at the back, as only the west end is open for visits on Sundays. Most were attentive in spite of the leisurely pace of this event.

Did anyone welcome you personally?
Someone was handing out service sheets as I entered the part of the cathedral reserved for those attending.

Was your pew comfortable?
The chairs are comfortable though there is not enough leg-room between the rows.

How would you describe the pre-service atmosphere?

What were the exact opening words of the service?
"Almighty God, whose most dear Son went not up to joy but first he suffered pain..."

What books did the congregation use during the service?
There was a service sheet that had all the scriptural quotations.

What musical instruments were played?
Just the organ, a huge and much reconstructed instrument that is mostly on either side of the choir stalls, with further ranks at the rear of the nave.

St Paul's Cathedral, London (Organ)

Did anything distract you?
The movable organ console was positioned close to the congregation under the dome, so I was sitting quite close to the organist. I closed my eyes in case his grappling with the instrument distracted me.

Was the worship stiff-upper-lip, happy clappy, or what?
The worship – for this was treated as such, not as a concert – was slow and meditative. The chorales are mostly slow-paced and I approached them as an aid to an hour of guided meditation on the brief texts. An incense burner behind the nave altar was regularly charged by the priest after his readings from the gospels that give us the "seven last words." Depending on which evangelist you choose, there are either fewer or many more than seven words that Jesus spoke from the Cross. The chorales by Tournemire, which he wrote in 1935, the last year of his life, are quite vivid and go from the quietest bass sounds to thunderous and back again. They suit the very resonant acoustic of the Cathedral well – sometimes in this huge space more intimate music gets lost.

Exactly how long was the sermon?
There was none.

Which part of the service was like being in heaven?
There was a moment when the sunset suddenly started to stream through the west windows onto the stonework and clouds of incense – a glorious golden light.

And which part was like being in... er... the other place?
But this prompted a fidgeting member of the congregation to start whispering to her companion. Happily she left after 10 minutes.

What happened when you hung around after the service looking lost?
We were encouraged by the service sheet not to applaud at the end. Following the very quiet last chorale, most sat quietly for a minute or two before shuffling to the west door.

How would you describe the after-service coffee?
There was none.

How would you feel about making this church your regular (where 10 = ecstatic, 0 = terminal)?
N/A – This was a one-off event in preparation for Easter: imaginative, beautifully done. I worship occasionally at the Cathedral, which is, in spite of its size, welcoming for more conventional Sunday services.

Did the service make you feel glad to be a Christian?

What one thing will you remember about all this in seven days' time?
The sunset catching the incense cloud.
please give to the floating fund
camino pilgrimage
The Mystery Pilgrim
One of our most seasoned reporters makes the Camino pilgrimage to Santiago de Compostela in Spain. Read here.
mystery worshipper sunday
London churches
Read reports from 70 London churches, visited by a small army of Mystery Worshippers on one single Sunday. Read here.
follow ship of fools on twitter
buy your ship of fools postcards
sip of fools mugs from your favourite nautical website
      More Mystery Worshipper reports          
      ship of fools