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2652: Messiaen's
La Nativité du Seigneur: St Paul's Cathedral, London |
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Photo:
© Bernard Gagnon and used under license
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Mystery Worshipper:
Cool Dude.
The church: St
Paul's Cathedral, London.
Denomination:
Church of England, Diocese of London.
The building: There
has been a cathedral on this high point of the City of London
for 1,400 years. It was rebuilt for at least the fourth time
after being destroyed in the 1666 Great Fire of London. St Paul's
is many things: a huge tourist honey-pot; the masterpiece of
architect Christopher Wren; the mother church of London; owner
of one of the most famous domes in Christendom; and a building
with a very resonant acoustic. It has been covered many times
in these pages. Their website gives the full history of this
monumental building.
The church: St
Paul's, as an internationally recognisable cathedral in a world
city, has become a kind of global institution. This wide embrace
is part of the pleasure of worshipping there. Parochial it is
not.
The neighbourhood: As
St Paul's is now mostly surrounded by banks and financial institutions,
it is difficult to speak of a local neighbourhood. Those attending
services seem to be at least as diverse as the tourists who
pay to look at the building at other times both come
from all corners of the world.
The cast:
Two unidentified members of the cathedral clergy read the lessons. The only one named was the organist and assistant director of music, Simon Johnson.
The date & time:
Sunday, 12 January 2014, 6.00pm.
What was the name of the service?
The Nativity of Our Lord Nine Meditations for Organ.
How full was the building?
About 350 people, mostly under the dome and at the east end of the nave. St Paul's is a huge building but it felt quite crowded in the seating areas being used.
Did anyone welcome you personally?
An usher handed me a service sheet and was, I suspect, gently
filtering out tourists who had no interest in the long service,
as the cathedral was closed to general visitors at this time.
Was your pew comfortable?
The modern chairs are very comfortable. However, had I not chosen
a spot where I was lucky enough to retain a vacant seat either
side of me, I might have found it a tad narrow and short of
elbow room.
How would you describe the pre-service
atmosphere?
Very quiet and reverential. This was worship, not a concert. There was hardly any chatter in spite of the large numbers present. The lighting in the cathedral had been somewhat dimmed, creating a sense that we were there to meditate, not to admire the baroque grandeur. This collective silence was a wonderful start to an event of the spirit.
What were the exact opening words of the
service?
"O God, who by the leading of a star..." (the Epiphany
collect).
What books did the congregation use during the
service?
Just the service sheets with notes on the music and all the readings in full.
What musical instruments
were played?
The cathedral's Grand Organ. Dating from 1872, the Henry Willis
instrument incorporated pipes from the previous Bernard Schmidt
organ, but only a handful of these remain today. Reconstructed
in 1972-77 by N.P. Mander Ltd while retaining the Willis pipes,
it was again rebuilt in 2008 by Mander Organs Ltd.
Did anything distract
you?
Just once or twice I was diverted by the organist, who played
the instrument from a console under the dome in our plain view.
He had a lot of stops and manuals to manage in a work like this,
but I dealt with that distraction by closing my eyes.
Photo:
Armchair Travel Co. Ltd
Was the worship stiff-upper-lip, happy clappy, or
what?
La Nativité du Seigneur was written by Olivier
Messiaen (1908-1992), a composer whose work is best described
as Catholic mystical. Sometimes described as a modern composer,
he was never really part of the mainstream a true original.
The nine readings are all biblical and as prescribed by the
composer. They suit Advent exactly right, as the work is about
the incredibility and improbability of the Incarnation. There
are several beautiful slow meditative pieces around themes such
as the shepherds and Magi. They slowly, and mostly quietly,
build over 80 minutes, interspersed with the readings, to a
finale celebrating "God Among Us" which is both triumphant
and cataclysmically loud. In our service sheets the organist
had explained that "this is music of prayer and meditation."
And so, in this liturgical setting, it was.
Exactly how long was the sermon?
There was none, just the readings.
Which part of the service was like being in
heaven?
Somewhere beyond the choir stalls, at the far east end, large
quantities of incense were being burnt. As the first meditation
drew to a close, a huge soft scented cloud crept toward us and
imperceptibly unfolded into the dome and eventually down the
nave. Recharged at intervals, the incense was sometimes thick,
sometimes ethereal. It softened the dimly lit huge spaces of
the cathedral and made them smaller, more manageable, just as
the organ music resonating reminded us that we were in fact
inside a canyon-sized stone building. Truly heavenly.
And which part was like being in... er... the other place?
Nothing. This was a heavenly experience, from the moment I sat
down to wait among the gathered throng for the start of things,
to the overwhelming climax to the organ music, which left me
in slightly punch-drunk ecstasy.
What happened when you hung around after the service looking lost?
Many sat in silence for several minutes at the end, clearly transported or moved. Everyone then silently and contentedly moved to the doors and out into the dark London night.
How would you describe the after-service
coffee?
There was none on offer, although there is a restaurant below in the crypt.
How would you feel about making this church your regular (where 10 = ecstatic, 0 = terminal)?
7 I am an occasional Sunday worshipper at ordinary services here, which are quite different from this one.
Did the service make you feel glad to be a
Christian?
Definitely and glad to be alive. My spiritual high of the year.
What one thing will you remember about all this in seven days' time?
The miasma of incense and the unbelievably triumphant finale
of the music. |
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One of our most seasoned reporters makes the Camino pilgrimage to Santiago de Compostela in Spain. Read here. |
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Read reports from 70 London churches, visited by a small army of Mystery Worshippers on one single Sunday. Read here. |
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